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title:
Hikayat Indera Putera
edition:
S.W.R. Mulyadi, Hikayat Indraputra: A Malay Romance, Dordrecht: Foris, 1983, for Koninklijk Instituut voor Taal-, Land- en Volkenkunde, Leiden. Bibliotheca Indonesica 23.
manuscript:
Or 53 (formerly HS. 542), Library of KITLV (Koninklijk Instituut van de Taal-, Land- en Volkenkunde), Leiden.
dates:
text: before 1700; manuscript: date of copying given as 1700, but the manuscript may be later.
provenance:
unknown.
words:
70954 words, including 278 verses. references:
to the pages (49-206) and lines of Mulyadi’s printed edition.
Editorial notes- The text presented here follows Mulyadi’s edition closely, with only a few typographical errors emended.
- Hikayat Inderaputera was widely popular in the seventeenth and eighteenth centuries, and is an epitome of romantic penglipur lara literature. Braginsky points to a number of texts which may have influenced Hikayat Inderaputera, principally Indian sources (Gulshan-i `Ishq, and Sufi literature) and other Malay texts like Hikayat Cekel Waneng Pati and Hikayat Amir Hamzah.
- The manuscript used by Mulyadi (MS "I" in her collation), is described as item #1574 in Teuku Iskandar’s catalogue.
- Bibliography:
- Braginsky, V., The Heritage of Traditional Malay Literature: A historical survey of genres, writings and literary views, Leiden: KITLV Press, 2004 (Verhandelingen van het Koninklijk Instituut voor Taal-, Land- en Volkenkunde, 214), pp.385-400.
- A printed concordance was published as by I. Proudfoot, Concordance to Hikayat Inderaputera. A Complete Lemmatized Concordance with Indexes and Frequency Tables, Canberra: Malay Concordance Project, 1990.
- Teuku Iskandar, Catalogue of Malay, Minangkabau, and South Sumatran Manuscripts in the Netherlands, 2:749.
- Ph. S. van Ronkel, "Catalogus der Malaische Handschriften van het Koninklijk Instituut voor de Taal-, Land- en Volkenkunde van Nederlandsche-Indië", Bijdragen tot de Taal-, Land- en Volkenkunde van Nederlandsche-Indië, vol.60 (1908), pp.186-187.
Preparation- Added: 1997
- Scanned and edited for the production of Proudfoot’s printed concordance.
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